News

Fakalofa lahi atu, Kia Ora, Greetings.

My name is Tigilau Ness, I am a first generation Aotearoa NZ born Pacific Islander of Niue extract. I was born in May 1955 at Saint Helen’s Hospital, corner of Howe Street and Pitt Street, Auckland CBD right opposite the Auckland Central Fire Station.

Today I am a semi-retired father of 3 and grandfather of 9. My eldest Son is the Aotearoa NZ Pacific Hip-Hop Rapp Icon Che Fu. I do Reggae, he does Hip-Hop and Rapp. The two go together, like Father and Son, we say. I sing with The Auckland Jubilation Choir, he sings with the Auckland Philharmonic Orchestra.

I have over forty years experience in the Aotearoa NZ Music industry. In 2009 I was awarded The Lifetime Achievement Award at the Pacific Music Awards in Auckland for my contribution to celebrating Pacific Reggae Music in Aotearoa NZ . My first ever Reggae Album release was in 2003 titled “From Street to Sky” which contains the iconic track “Though We Are”. This song was recently re-released in Te Reo.

My last Album release was in 2016 titled “BlackBirder Dread” which won a Tui Award for Best Roots Album at the Aotearoa NZ Music Awards the same year. A selection of songs from these albums are what I am performing in a musical collaboration with the amazing wonderfully gifted Jubilation Choir of Auckland. Come along and dine in a musical night of truly uplifting once in a lifetime, food for the soul experience.

Aerial view of The PumpHouse Theatre and The PumpHouse Amphitheatre

Nestled perfectly in the heart of Killarney Park is our picturesque Outdoor Amphitheatre. If you’ve never been, you’re in for a treat. And if you have been… you know just how unforgettable it is.

The PumpHouse Theatre’s annual community Christmas Carols

Built in 1995, with its very first show being the hilarious musical Nunsense, the amphitheatre has become a beloved stage under the stars. Since then, it’s seen it all — from dramatic Shakespearean duels to the bright beats of K-pop, from moving Matariki performances to joyful community Christmas carols.

The first ever show to be performed in the Amphitheatre – Nunsense by Dan Goggin

With seating for approximately 200 patrons on tiered bench seats, the space offers an intimate connection between performer and audience. Two charming stage balconies frame the action, adding a richness to every production. And the view? As the sun sets over Lake Pupuke and the stars twinkle into view, it’s pure, delicious theatre magic.

View of the Amphitheatre from the tech booth

Shoreside Theatre’s annual Summer Shakespeare has been a highlight here every year since 1996, with everything from Macbeth to Much Ado gracing the stage. In recent years, groups like The Barden Party have brought a new flair to the classics.

Shoreside Theatre’s annual Summer Shakespeare

But it’s not just Shakespeare! Our stage has welcomed bold new work like Mark Wilson’s ‘.co.nz’ for Matariki, where brave audiences donned raincoats and layers of clothing in the middle of winter to enjoy some spectacular outdoor theatre. The unpredictability of outdoor shows — a sudden breeze or light shower of rain, a chorus of ducks from the lake, or even a cheeky possum making a surprise cameo to steal the spotlight — only adds to the thrill.

Mark Wilson’s Matariki show, .co.nz, performed in the Outdoor Amphitheatre in the middle of Winter!

We’ve had school holiday shows, cultural festivals, live bands, dance showcases, and markets take over the space. And each time, the Amphitheatre transforms!

View of part of the stage, and the stage left balcony

So next time you plan a night out, don’t forget to check if we have anything on outdoors. Grab a blanket, a cosy cushion, and pack a thermos. Experience the enchantment for yourself. Because once you’ve watched a play with the stars above and Pupukemoana in the background… indoor theatres might never feel quite the same again!

View from the stage right balcony

And, if you’d like to add to the magic and bring a show to our Amphitheatre, you are in luck! Expressions of Interest for 2026 are live now – click here to find out more.

A proposed plan of the Amphitheatre from The PumpHouse archives

Aerial view of The PumpHouse Theatre and The PumpHouse Amphitheatre

The Amphitheatre with Lake Pupuke in the background

The PumpHouse Theatre is stoked to welcome the newest member of our team, Tash Lay! As our new Venue Hire Coordinator, she’s the mastermind behind bookings—helping artists, theatre-makers, and event organisers bring their creative visions to life on our stage.

But who is Tash beyond the emails and scheduling hustle? We had a kōrero with her to learn more—have a read and get to know her!

Tell us a bit about you! You as a person, your background in the arts, and what brought you to The PumpHouse Theatre?

Tash: I probably have a slightly less-than-conventional introduction to the world of live performance – my parents aren’t theatregoers at all so my introduction to theatre was through bootleg recordings of musicals on YouTube. I come from a stage management background but as I started working in arts administration, I found that it fit my skillset better and it’s what I’ve been doing since. I initially discovered The PumpHouse through a friend of mine who’s heavily involved and I’ve kind of just been hovering around ever since! I’m also a theatremaker, and I am currently working on a new show that takes place almost entirely in the dark.

What excites you most about being the Venue Hire Coordinator?

Tash: I love making things happen and helping people make things happen – I’m also a big nerd and find building systems and improving processes really satisfying.

What’s your favourite way to spend a day off?

Tash: A big lie-in is non-negotiable, and I need an activity that takes me outside the house or I go a bit loopy. It’s usually catching up with a friend from outside the theatre world – I try to avoid talking shop on a day off – and a movie at my favourite local repertory cinema, the Hollywood in Avondale.

Do you have a theatre show or performance that’s stuck with you?

Tash: I got to see the play NASSIM by Nassim Soleimanpour (of White Rabbit Red Rabbit fame) at the Edinburgh Fringe in 2023 and it’s really stuck with me since. The play features a different actor every night who doesn’t get to see the script until the performance itself, and I find that sort of inventiveness in form so exciting. It’s elegant yet unpretentious, and at its core, it’s a heartfelt letter to his mother, who has never seen and will never be able to see any of his plays performed.

Play reading of Tash’s play How To Be A Great White Man, which was shortlisted for Playmarket’s Playwrights b4 25 award in 2020. Part of Proudly Asian Theatre’s Fresh Off The Page programme, photography by John Rata

Essential workday fuel: coffee, tea, or something else entirely?

Tash: I’m not fussy but ideally a big yuzu & blackcurrant sugar-free V. I’m not sponsored by them, I swear.

What is something about you that people may be surprised to know?

Tash: I went to law school for a hot minute before I decided to run away with the theatre! I also did a bit of figure skating as a tween and won a couple medals at a competition.

What’s your go-to song for getting pumped up?

Tash: 212 by Azealia Banks.

If you had a superpower that made your job easier, what would it be?

Tash: Mind control. Too easy!

What’s your earliest theatre memory?

Tash: I must have seen another show before it, but the first show I have a vivid memory of seeing was Proudly Asian Theatre’s production of Lantern by Renee Liang at the Musgrove Studio, which was a pivotal moment for me as an Asian creative living in Aotearoa. I remember I’d accidentally booked tickets for the matinee but showed up for the evening show haha. It was a sold-out show but they kindly let me sit in the house seats instead.

Still from Tash’s short film ‘lipstick’ which was commissioned by Exeter Phoenix arts centre (UK).

In the movie about your life, who plays you?

Tash: Honestly, I’d probably just use it as an excuse to hang out with someone I’ve always wanted to meet – so obviously, I’d pick Paul Mescal.

What do you love about theatre?

Tash: There’s something magical and deeply human in gathering together to share stories, in performer and audience experiencing the work together in real-time, night after night, that you just can’t replicate with recorded media.

Hero image from Tash’s play MANIAC (on the Dancefloor) which was shortlisted for Playmarket’s Playwrights b4 25 in 2018.

Written by Andrew Maher of Brown & Maher Productions

Amy Cotter, a talented young actor and graduate of the highly regarded Royal Central School of Speech and Drama in London, has exchanged the promise of the British stage and film scene for the less hectic pace of New Zealand. Drawn back by the strong sense of community found in all theatre and film production in New Zealand, Amy is feeling highly satisfied with her choice.

Amy Cotter

Her recent leading role in Old Love at the Howick Little Theatre has already showcased her impressive range and talent. Now, Amy is set to challenge audiences once again as she steps into the controversial drama Oleanna by David Mamet, portraying Carol, the student. Opposite her is one of Auckland’s leading actors, Stephen Butterworth. The play is directed by award winning director Dr. Nick Brown.

Stephen Butterworth

Amy’s decision to embrace the vibrant New Zealand arts scene reflects her passion for meaningful, close-knit collaborations and her desire for a balanced lifestyle. Her presence is a testament to the magnetic pull of New Zealand’s theatrical community, renowned for its supportive and creative environment.

As Amy continues to carve out her niche, the local theatre community eagerly anticipates her dynamic performances and heartfelt contributions. For Amy, every stage and screen venture in New Zealand is an opportunity to deepen her craft and connect with audiences on a profound level.

Director Nick Brown

In a world where many chase the glitz and glamour of high-profile cities, Amy Cotter stands as a shining example of the fulfilling artistic journey that can be found in the embrace of a passionate community, far from the chaos.

Book now to see Amy in Oleanna, on stage at The PumpHouse Theatre from 10-15 March 2025.

Tim Bray, QSM

It is with heartfelt gratitude and deep appreciation that we bid farewell to Tim Bray and the incredible Tim Bray Theatre Company (TBTC) as they close their curtains for the final time. Arohanui ki a Tim Bray and the entire TBTC whānau. You have brought an immeasurable amount of joy, talent, and entertainment to the community for decades, and we are so honoured to have been your home and a part of your journey.

The Great White Man-Eating Shark and Other Stories, 2018. Photo: David Rowland / One-Image.com

Tim Bray Theatre Company has been an integral part of The PumpHouse Theatre’s history. Established in 1991, TBTC began performing at The PumpHouse in 2004 (with a bonus show in 1991!) Since then, they have delivered an astounding number of shows on our stage, sparking laughter, igniting imaginations, and bringing stories to life for thousands of tamariki and their whānau. Through their dedication to creating magical, heartfelt theatre, Tim Bray Theatre Company has shaped countless childhood memories and inspired generations of theatre lovers.

The Whale Rider, 2014

From their beautifully staged adaptations of classic tales to their original Aotearoa works, TBTC has set the standard for excellence in children’s theatre. It’s hard to imagine The PumpHouse without the joyful sounds of young audiences responding with delight to the enchanting world that TBTC creates. Their productions have not just entertained but educated and empowered, fostering a love for the arts and cultivating a lifelong appreciation for storytelling.

The Santa Claus Show, 2017. Photo: David Rowland / One-Image.com

Beyond the stage, the warmth and generosity of Tim Bray and his team have touched everyone who’s worked with them. Whether collaborating with local schools, nurturing budding talent, or supporting accessibility initiatives such as their sensory-friendly performances, TBTC has always gone above and beyond to ensure theatre is for everyone.

We`re Going On a Bear Hunt, 2019. Photo: David Rowland / One-Image.com

The PumpHouse Theatre has been privileged to be the home of Tim Bray Theatre Company for 20 wonderful years. Together, we’ve celebrated milestones, overcome challenges, and created unforgettable memories. The sparkle that Tim Bray Theatre Company brings to The PumpHouse is irreplaceable, and their legacy will forever be a cherished part of our story.

Hairy Maclary, 2012

To Tim Bray and the TBTC whānau, thank you for your immense contribution to our community and for trusting us to be part of your incredible journey. While we will dearly miss seeing your artistry grace our stage, we hold you in our hearts and send our deepest aroha as you close this chapter. Your magic and impact will never be forgotten.

The Santa Claus Show, 2006

Love always and forever, The PumpHouse Theatre Whānau x

The impressive Tim Bray Theatre Company stats (and this is just for The PumpHouse Theatre – they’ve achieved even more across their other venues!):

• Total PumpHouse tickets sold: 337,302
• Total productions: 76

Production History of Tim Bray Theatre Company 

c/- The Operating Theatre Trust 

1991 – 2024 

113 professional theatre productions 

109 original New Zealand scripts or NZ adaptations 

100 productions for children – productions for children have a *

This year, James celebrates not one but two incredible milestones: 10 years as The PumpHouse’s Business Manager and directing his 40th production.  Recently, we asked him to reflect on his journey, his favorite moments, and what it takes to create magic on and off the stage.

Congratulations on directing your 40th show! What does reaching this milestone feel like for you?

I didn’t realise until I started counting just how many shows I’d directed! It’s a great sense of accomplishment and I feel really privileged to have had the opportunity to work on so many fantastic shows with hundreds of amazing actors and creatives.

What inspired you to start directing?

I started in theatre doing lighting and sound, so I got to watch the shows every night and see how the audience responded, and how actors would make subtle changes each night – refining and perfecting their performance.

When a local theatre company decided to offer new directors a chance to direct a one-act play I thought I’d have a go – even though I’d never acted before – and found I really enjoyed putting all the elements together to tell an engaging story.

James’ 40th show: Pride and Prejudice

Do you have any unique pre-show or directing rituals that help you get into the zone?

I like to have a quick check-in with the cast before each show. We’ve started to incorporate a pre-show karakia to bring everyone together to ground and focus the team for the performance ahead.

I like to watch the first and last performances of a season to see how the show has developed, but during the season I’ll often just listen at the door for how the audience is reacting.

Looking back, is there a particular show you directed that feels like a personal best, or one that taught you the most?

The great thing is that I feel I’m always improving. There are little bits of each show that I really like though – for “Proof” we rebuild the exterior of a house in a very small theatre using wood reclaimed for a renovation project, for example.

The Proof Set

The Crucible in 2021 was a highlight. A sold-out season, a fantastically dedicated cast, and we managed to finish the day before a COVID lockdown!

The Crucible, directed by James Bell

If you could direct any play or project with unlimited resources, what would it be and why?

I’ve always been a fan of Hamlet. It’s got such great storytelling elements all the way through. Performing Hamlet inside some castle ruins would be amazing.

I’d like to have a go at directing a musical one day, too.

Are there any standout moments or favourite memories from your 10 years at The PumpHouse?

For me, I’m most proud that we’re keeping The PumpHouse going for future generations.

The fact we are still going strong despite budget cuts and COVID shows just how important theatre – and The PumpHouse – is to our local community.

We’ve developed such a great diversity of shows too – there really is something for everyone.

Measure for Measure, directed by James Bell

How has working at The PumpHouse Theatre influenced your perspective on the local arts community?

Working with hundreds of different producers, it’s really clear what the challenges are – whether it be funding, finding volunteers, or effectively promoting a show.

But equally every group has passionate people working to bring amazing stories to life despite the challenges.

How do you approach directing a show versus managing business operations—are there similarities?

It’s quite similar I think. I’ve always thought “director” is the wrong term – it should be “co-operator” because you are really just bringing together many skilled and talented people and helping them work together.

It’s a bit like being the conductor of an orchestra, making sure all the musicians are working towards the same goal and staying on track.

What is something people might be surprised to know about you outside of theatre?

I don’t really have an “outside of theatre”.

If I’m not at work, I’m usually working on directing or producing a show somewhere or helping on a theatre committee.

I like to travel and take photos when I get a chance.

Celebrating International Artist Day at The PumpHouse Theatre!

This International Artist Day, we’re taking a moment to shine the spotlight on some of the local artists, theatre companies, and community groups that make The PumpHouse Theatre the vibrant, creative space it is today. While International Artist Day often celebrates well-known creatives, we want to turn the focus towards the hardworking, passionate people in our community who bring theatre to life on our stage.

At The PumpHouse, we are lucky to host a wide variety of performances, from cutting-edge dramas to family-friendly shows and everything in between. Our local artists pour their hearts into each production, creating experiences that resonate deeply with audiences.

How You Can Support Our Local Artists

Here are a few simple ways you can uplift and celebrate our local theatre and community groups:

1. Attend a Show! There’s nothing quite like the magic of live theatre! Check out the events calendar on The PumpHouse Theatre website and make plans to see a local production. Your ticket purchase directly supports the artists involved.
2. Volunteer Your Time! Many theatre groups rely on volunteers to help behind the scenes. From ushering to assisting with costumes, there’s always a need for extra hands. Plus, you get to experience the creative process firsthand!
3. Leave a Review! If you’ve enjoyed a performance, let others know by leaving a review online. Positive feedback not only helps spread the word but also boosts the morale of the artists involved.
4. Follow & Share! Social media is a crucial platform for artists. Follow local theatre groups and individual artists on platforms like Facebook, Instagram, and TikTok. Share their posts, comment on their work, and spread the word about upcoming shows. Your engagement helps build momentum for their projects.

Here is just a few of the wonderful groups who use our space, who you should totally go and follow on social media (click their name and it’ll take you directly to their Facebook/Instagram page!

Written by Mags Delaney-Moffatt

Happy Mental Health Awareness Week! If you’re searching for ways to improve your mental health – and enjoy yourself while doing so – engaging with theatre or other performing arts experiences is a great way to go.

Theatre Creates a Community
One of the most obvious of perks of theatre is the community feeling it fosters for everyone involved. This includes:

• Creating bonds between actors, crew members, and theatre leadership, from the first audition to the close of the final curtain
• Creating bonds between audience members, who enter into a shared emotional experience as they watch a show
• Creating bonds between enthusiasts across the globe who are all enjoying the same performance. This was really brought home for me during lockdown by being able to access theatre digitally through National Theatre at Home and Sir Andrew Lloyd Webber’s ‘The Show Must Go On’ initiative.

Theatre Offers Representation
Seeing yourself in a beloved character on the stage means a great deal to those who feel invisible or pushed aside in their day-to-day lives. Theatre offers a positive representation of:

• Those with the struggles of mental health
• Those dealing with chronic or invisible illnesses
• The neurodiverse
• Marginalized communities, from minorities to those in poverty to those in the LGBTQ+ community

Theatre Teaches Empathy
By providing emotional connections with others, theatre helps its audiences to better understand their fellow man. Within the theatre, empathy can be learned about:

• Your fellow cast members – if you’re in the show itself, teamwork and compassion will combine to further your emotional intelligence and capacity for empathy
• Plights of people outside your own circle – through characters in a show or other real-life people in their day-to-day lives
• Those in history – making you a more well-rounded, educated citizen of the world that can empathize with those in the past, present, and future (Think about what you learned through watching performances such as Hamilton, Rent, Hatupatu | Kurungaituku: A Forbidden Love, Awhi Tapu, Les Misérables, and Shakespeare)
Theatre has the unique ability to introduce students to different cultures and perspectives, which leads to developing a better understanding of the world resulting in greater empathy.

Theatre Inspires Hope
It’s no secret that the world can be a dark place. Theatre can often act as a safe haven, where people escape for a few hours to feel inspired. If someone’s mental health is low, stories of triumph, resilience, and perseverance can bleed over into day-to-day inspiration. The only thing more powerful than fear, after all, is hope!

Theatre Increases Confidence
Theatre provides a safe, supportive space for people of all ages and skill levels to explore their emotions and develop self-confidence. Taking social risks, expressing oneself freely, and connecting with others will build self-esteem. Theatre programs, then, are crucial for promoting personal growth and preparing people for success in the future.

For more information this Mental Health Awareness Week 2024 here are a few links you can follow:

mhaw.nz
https://shop.mentalhealth.org.nz/ – lots of free resources
https://mentalhealth.org.nz/workplaces
https://www.cph.co.nz/mental-health-awareness-week/
https://mhaw.nz/whats-on/